Ranging Across Time and Scale, V. Shayne Frederick Holds Office Hours at Uncle Bobbie’s
MusiQ Department Artist Vince Anthony Debuts “Hurricane” Music Video
MusiQology Rx Fundraiser for One Art Community Center
Beyoncé’s Homecoming Film Preserves and Reveres Black History
Why Country Music is So Scared of Black People
DaMaris B. Hill’s New Book is a Powerful, Wondrous Thing
(FREE SHOW) Dr. Guy Performs with Ursula Rucker this Thursday, March 14, at World Café
Hide/Melt/Ghost’s Harlem Debut is a Major Moment for Black Music Scholarship & Performance
The Time Stevie Wonder Taught White Surfers how to Dance
Music Lives with MusiQology Events in Virginia and Philadelphia
The 2019 GRAMMYs: Streaks Broken, Questions Unanswered
The 2019 MusiQology GRAMMYs Preview
Ursula Rucker Talks Womanhood and Courage in Art
I Remember Roy: Remembering Roy Hargrove
Save the Date!: Dr. Guy brings Hide/Melt/Ghost to Harlem Stage on March 9!
Happy Holidays from MusiQology!
The Encouraging 2019 GRAMMY Nominations are Just One Step in a Long Process
Despite a show filled with conscious and powerful protest moments, the GRAMMY Awards themselves remain conservatively oriented towards an objective ideal of musical excellence. One of the most talked-about moments during last night’s GRAMMY Awards telecast came during a James Corden-led bit to determine...
This is the first edition of the Extended Play series, a new MusiQology miniseries on a theme or concept that deserves more than a single-article treatment. Giving our contributors the space to explore and develop this type of work is important because the proliferation and justification of concepts...
This is the third track of the first edition of the Extended Play series, a new MusiQology miniseries on a theme or concept that deserves more than a single-article treatment. Giving our contributors the space to explore and develop this type of work is important because the proliferation and justification...
“What’s Going On” is MusiQology’s semi-regular news round-up. We curate a selection of relevant news items from across the spectrum of popular culture, adding our own commentary and contextualizing the moments within a broader conversation. In some cases, we’ll be drawing your attention to news...
This is the second track of the first edition of the Extended Play series, a new MusiQology miniseries on a theme or concept that deserves more than a single-article treatment. Giving our contributors the space to explore and develop this type of work is important because the proliferation and justification...
This is the first track of the first edition of the Extended Play series, a new MusiQology miniseries on a theme or concept that deserves more than a single-article treatment. Giving our contributors the space to explore and develop this type of work is important because the proliferation and justification...
For many reasons, the announcement of the 2018 GRAMMY Awards nominations is a “good” result. The “Big Three” categories—Song, Record, and Album of the Year—are blacker than any time in recent memory, with 13 of the 15 total nominations (five per category) going to non-white artists. For the first...
For a recent lecture, Managing Editor John Vilanova put together a performance of a new style of academic presentation titled “critical karaoke.” The premise—first introduced by Joshua Clover at Seattle’s Experience Music Project POP Conference—was simple: talk about a song for the length of the song...
“It took twenty years, and some persuasion, before I agreed to write How I Became Hettie Jones, my memoir of that sixties bohemia,” Hettie Jones, the prolific force and self-effacing matriarch of the MusiQology family writes in Love, H, a new book reflecting on her own personal history through letters...
We thought the conversation in this week’s New York Times between critic Jon Caramanica, Roots drummer Questlove, and our colleague Salamishah Tillet — on the move of rap into mainstream television and film — was worth reprinting in full, both to draw attention to the piece and to connect...
