For me, it started with two chords: a D-flat triad that moves to an E-flat half diminished with an A in the bass that opens “How Come U Don’t Call Me Anymore.” Growing up in the Midwest, I knew of Prince, of course, but came comparatively late to his music. But once I heard […]
Recent Comments
- Mark Anderson on [Review] A Closer Look at Kendrick Scott and Oracle’s Conviction
- Mark Anderson on [Review] A Closer Look at Kendrick Scott and Oracle’s Conviction
- Brett on [Review] A Closer Look at Kendrick Scott and Oracle’s Conviction
- LinaHelen on Beatlemania and the Boy Band Revolution – From the Beatles to the Jonas Brothers
- Nate on Remembering Baraka as He Goes to the Next Gig—Part 2