We asked friend to Musiqology, Birgitta Johnson, to tell us why we should check for Jill Scott’s new album, Woman, and this is the knowledge she dropped.
1. Her musical arrangements & studio bands are always top shelf.
2. When Jilly from Philly is giving you Philly soul, the world is better for it. Even the o.k./so-so/well?…veerings off into grittier blues arrangements are definitely tolerable in context of a well put together album project.
3. Jill’s approach and method through catharsis as a songwriter has indeed evolved. And it was already pretty advanced considering the current landscape for R&B/soul songwriting today.
4. When you ask yourself more than three times for some liner notes before half the album is over, you know it has THE GOODS.
5. There’s a return to spirituality that runs through the album that is honest, raw, thoughtful, hopeful, and not preachy, rote, or knee jerk. WOMAN, indeed. (Also see #3)
Bonus Round
But for real, who did the Moog on this album? I have guesses but I need liner notes to come back to music commerce and the listening experience. It’s not like it is a technical issue. (PDF a sista, if you please.) I smell a lot of good 70s Stevie influences up and through. Again–GOOD production influences.
Summary
Buy this album.
Tweet the Grammys (@TheGRAMMYs) so we can see Jill perform it in FEBRUARY 2016 ON the broadcasted show (not the pre-show ceremony).
My top song picks
Fool’s Gold, Lighthouse, Prepared, Closure (I call it “NO MO GRITS”), Cruising, Jahraymecofasola, and Beautiful Love.
Birgitta Johnson, Ph.D. (@DrBirgittaSays) is assistant professor of music and African American Studies at the University of South Carolina. Her book based on her dissertation, “‘Worship Waves, Navigating Identities: Music in the Black Church at the Turn of the 21st Century ” is forthcoming.
Tags: Brigitta Johnson, Jill Scott, new music, Philadelphia, Woman