Breaking

Ranging Across Time and Scale, V. Shayne Frederick Holds Office Hours at Uncle Bobbie’s

MusiQ Department Artist Vince Anthony Debuts “Hurricane” Music Video

MusiQology Rx Fundraiser for One Art Community Center

Beyoncé’s Homecoming Film Preserves and Reveres Black History

Why Country Music is So Scared of Black People

DaMaris B. Hill’s New Book is a Powerful, Wondrous Thing

(FREE SHOW) Dr. Guy Performs with Ursula Rucker this Thursday, March 14, at World Café

Hide/Melt/Ghost’s Harlem Debut is a Major Moment for Black Music Scholarship & Performance

The Time Stevie Wonder Taught White Surfers how to Dance

Music Lives with MusiQology Events in Virginia and Philadelphia

The 2019 GRAMMYs: Streaks Broken, Questions Unanswered

The 2019 MusiQology GRAMMYs Preview

Ursula Rucker Talks Womanhood and Courage in Art

I Remember Roy: Remembering Roy Hargrove

The #BLACKBOYJOY of Smino

Save the Date!: Dr. Guy brings Hide/Melt/Ghost to Harlem Stage on March 9!

Happy Holidays from MusiQology!

Happy Talk (for Nancy Wilson)

Bridget Ramsey’s “Save Your Love for Me” is Assertive Artistry (and a Fitting Tribute to Nancy Wilson)

The Encouraging 2019 GRAMMY Nominations are Just One Step in a Long Process

Home 2013 (Page 3)

Revisit: Cultural Arts Immersion in the Era of Stop and Frisk

The other day I participated in a conversation on HuffPost Live with actor Gbenga Akinnagbe and attorney Ale Fernandez about “Stop and Frisk” and racial profiling practices. I joked on Facebook that I’d be talking about something I don’t study. I was reminded, however, that, I had experienced...

By Dr. Guthrie /  March 5, 2013
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From the Archives: The Power of Suggestion/The Pleasure of Groove: Robert Glasper’s Post-Genre Black Radio Project, Part 3

I never expected the Robert Glasper Experiment’s project Black Radio to be nominated for a Grammy in the R&B category.  Everyone knew that the project was special: its blend of generic codes from jazz, R&B, hip-hop, gospel and rock defied industry logic in bold ways.  Comprised of musicians...

By Dr. Guthrie /  February 22, 2013
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From the Archives: The Power of Suggestion/The Pleasure of Groove: Robert Glasper’s Post-Genre Black Radio Project, Part 2

I never expected the Robert Glasper Experiment’s project Black Radio to be nominated for a Grammy in the R&B category.  Everyone knew that the project was special: its blend of generic codes from jazz, R&B, hip-hop, gospel and rock defied industry logic in bold ways.  Comprised of musicians...

By Dr. Guthrie /  February 20, 2013
0 Comment

From the Archives: The Power of Suggestion/The Pleasure of Groove: Robert Glasper’s Post-Genre Black Radio Project, Part 1

I never expected the Robert Glasper Experiment’s project Black Radio to be nominated for a Grammy in the R&B category.  Everyone knew that the project was special: its blend of generic codes from jazz, R&B, hip-hop, gospel and rock defied industry logic in bold ways.  Comprised of musicians...

By Dr. Guthrie /  February 18, 2013
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Tit for Tat and Singing Flat on Music’s Biggest Night

It’s been a long time since I’ve gotten excited about the Grammys. I remember music’s “biggest night” being more fun when I was raising teenagers who would be thrilled to see their favorite musicians do their thing and accept shiny awards.  Back then, and in between “their” musical acts,...

By Dr. Guthrie /  February 11, 2013
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Beyond Beyoncé Gate: Looking for the American Authentic

The following is an overview of lecture notes from my History of American music course this semester. -Editor Her fans were delighted to see Beyoncé, The Bootylicious, our reigning queen of American pop, step to the podium and offer an anticipated rendition of the National Anthem at Barack Obama’s...

By Dr. Guthrie /  January 28, 2013
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“These Lips Can’t Wait to Taste Your Skin”: Sex, Rock and the Pilgrims

One of the most fascinating things about teaching music history is encouraging students to experience the past and how they perceive their present—as exploding with sounds that circulate powerful ideas about the world, seen and unseen.  For me, the best way to achieve this is to begin the course by showing...

By Dr. Guthrie /  January 21, 2013
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Starbucks on Mars

Starbucks on Mars The following is a summary of how I introduced my Spring 2013 History of American Music course. Class is in session–GR  I always find it difficult to begin a class. Where does one start, particularly in a course that covers all of the historical territory of something called...

By Dr. Guthrie /  January 14, 2013
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