Ranging Across Time and Scale, V. Shayne Frederick Holds Office Hours at Uncle Bobbie’s
MusiQ Department Artist Vince Anthony Debuts “Hurricane” Music Video
MusiQology Rx Fundraiser for One Art Community Center
Beyoncé’s Homecoming Film Preserves and Reveres Black History
Why Country Music is So Scared of Black People
DaMaris B. Hill’s New Book is a Powerful, Wondrous Thing
(FREE SHOW) Dr. Guy Performs with Ursula Rucker this Thursday, March 14, at World Café
Hide/Melt/Ghost’s Harlem Debut is a Major Moment for Black Music Scholarship & Performance
The Time Stevie Wonder Taught White Surfers how to Dance
Music Lives with MusiQology Events in Virginia and Philadelphia
The 2019 GRAMMYs: Streaks Broken, Questions Unanswered
The 2019 MusiQology GRAMMYs Preview
Ursula Rucker Talks Womanhood and Courage in Art
I Remember Roy: Remembering Roy Hargrove
Save the Date!: Dr. Guy brings Hide/Melt/Ghost to Harlem Stage on March 9!
Happy Holidays from MusiQology!
The Encouraging 2019 GRAMMY Nominations are Just One Step in a Long Process
The blues musical sensibilities that spawned gospel, jazz, rock and other American popular music styles were “secular” in their surface sheen but also spiritual, concerned with the ineffable, and depended on zealous devotion from their legions of fans and practitioners. Religion professor Robin Sylvan...
The accelerated production of visual art, literature, and music that characterized the “Harlem Renaissance” during the 1920s and beyond raised rich, contemporaneous questions about black cultural politics on many levels. Among them: what did it mean to be a black artist; what was black artistry;...
The years between Reconstruction and World War 1 witnessed an amplified and varied African American presence in the public sphere. During the last years of the 19th century a dramatic rise of “public amusements” occurred that was marked by an explosion of commercialized leisure that indexed America’s...
